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It
makes no sense to have a knee-jerk reaction against pre-fab, corporate
clone rock or big studio, story-free movie making while drinking an
Absolut tonic. MCA records, Universal Studios and Absolut vodka are all
owned by the same company--Seagrams. So, if you buy that boss new Blink
182 cd, a ticket to the latest star-studded bomb or drink Absolut
vodka, the money is all going to line the pockets of the same rich
goobers and support their joyless products. Ironic, n'est ce pas?
How come no one champions the struggle of the independent booze
producer? They face the exact same problems that indie record labels
and filmmakers do.
The liquor industry has seen a trend toward the consolidation of
suppliers, distributors and wholesalers. This creates fewer, larger
businesses.
Like chain record stores, chain restaurants and liquor stores are where
all the big, volume business is done. Space on their shelves is
controlled by corporate producers who own a dozen or more brand names.
They can offer huge discounts and back it up with tons of cheesy
promotional materials like neon signs, stand-up displays and posters.
Corporate liquor manufacturers have mammoth budgets for marketing and
promotion. Because of that, whatever they produce makes money,
regardless of whether or not it's any good.
The indie booze producers, like their "artistic" counterparts, must
rely on being clever to compensate for their lack of capital. They
cannot compete with multi-million dollar promotional campaigns, so,
they maximize publicity and try to generate word-of-mouth and
grass-roots support.
While
this all may just seem like the free market at work, this sort of
consolidation is a bit more nefarious than a successful business simply
rising to the top. This process ultimately serves to place all the
power in the hands of a few huge companies. One result is fewer
opportunities for a have-not trying to start a business in that
industry. It becomes very difficult for a start-up company to raise the
amount of capital needed to compete with the money being spent by these
large corporations on marketing and promotion. Another result is that
this consolidation results in fewer and more paltry choices for
consumers.
Such is the case with Redrum, an
independently-produced rum from San Francisco. The packaging and name
are fresh and unique (about as anti-establishment as a liquor can get
without being moonshine served in a mason jar). Their name has kept
them out of many high-volume chains, and even out of some states.
But on to the actual review at hand. Redrum is a fine, fine rum. It is
a 70-proof, imported Virgin Island rum with natural tropical fruit
flavors, but it comes off being more spicy than actually fruity. It
works just fine in any traditional rum drink recipe, but it is
amazingly good sipped straight from a shot glass after being chilled in
the freezer. Its clean, ruby-red packaging would make a fine addition
to any tiki or post-modern bar.
If your local liquor store doesn't stock Redrum, just ask them to order
some. They can ordering it from their Southern Wine & Spirits rep.
Every store buys booze from SW&S, and they can get it in about two
days.
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Redrum Tsunami
2 oz. Redrum
Fill tall glass with ice &
pineapple juice
Float 1/2 oz. Midori Melon Liqueur
Garnish with fresh fruit & umbrella
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Island Ho
2 oz. Redrum
Fill tall glass with ice & ginger ale
Garnish with lemon wedge
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